Ho Wai-On 何蕙安 aka Ann-Kay Lin

I Remember Hong Kong page 1 我記得香港之一

Updated 14 Feb   2月14日更新


Prologue 開埸白

Shanty Children 木屋區兒童

The Mid-Autumn Moon Festival 中秋節

See the following 進入以下

Related Videos MAGIC BANYAN TREE & BUDDHA SONG & Webpage


Related New Webpage Hong Kong Birds & Reminiscences

相關的新網頁 香港鳥相引發回憶


I have spent most of my life in England, yet my earliest memory was about Hong Kong, when it was a British colony.  Hong Kong followed the British legal system and judiciary, but the government more or less left the locals alone and there was freedom of speech.  English was a compulsory subject in all schools (Chinese was not), and in Anglo-Chinese schools all subjects were taught in English, though in Chinese schools most subjects were taught in Cantonese, which was spoken by the majority of the population and Cantonese culture was predominant. However, it was also a haven for people who had fled Communist China from many provinces in the mainland.  As a vibrant and cosmopolitan city and one of the world's most densely populated regions there was much Western influence – more American than British. It had an identity of a unique Hong Kong Cantonese culture as influenced by the West. This is my attempt to record what I remember of this unique culture which may not stand the passage of time and other factors.


There are already a number of pages that are related to the title of this page, such as:

My autobiographical creative PhD has a lot of material related to what I remember about Hong Kong and how such memories affected my creative work. So are my CD and Book Music is Happiness and the project Theme Hong Kong.


The Shanty Children 木屋區兒童


At the time I studied at True Light Middle School of Hong Kong (founded by the American missionary Harriet Newell Noyes in 1872 pioneering Chinese women’s education), one could see crowded shacks ("wooden-hut area" in Cantonese) on the hillside opposite the school. Many children who lived there came to True Light to attend Sunday school. I volunteered to teach at the Sunday school for a year or so. The children were about ten or younger. They came early in the morning, gathered in the sports arena, lined up, and were then led by volunteer students into the hall to sing hymns. I played the piano, and some others led the singing. Then the children had lessons in the classrooms ― about a dozen children in each class. Each class would need about four volunteers because the children were not necessarily well-behaved and even naughty. They were different in ability and often individual teaching was required. Each child was given a handbook for learning and writing which included practicing to write their names. The handbook also had illustrations for colouring. While we taught the children in classrooms, some volunteers would divide donated food and clothing in the auditorium according to the number of children attended. After class, the children would go to the auditorium to get their share of food and clothing to take home.


These are poor people's children, some were ragged and even barefoot, and probably had scanty meals. I wondered whether lack of nutrition affected their learning ability, many children in my class had some difficulty in learning Chinese characters and writing. There was a boy who seemed older than the other children in my class. Although he was not very good at reading and writing, I so happened to see him copying the illustrations in his handbook and his drawing was very good. I praised him for being good at drawing. To my surprise, he did not look pleased but became grave and quiet, and refused to draw again. Perhaps his world was without praise and he didn't know how to handle that.

I remember a thin and small and particularly naughty boy who was barefoot, without a top and only wore a man’s underpants strapped onto him. His name was Ng Choi-Dat (吳才達). Of the three Chinese characters, the first was his surname, the following two his first name meaning talented. He would only write the middle character "Choi 才" of his name because it's simple with only three strokes. In Cantonese his surname has the same pronunciation as "not". As he couldn't even write his name Ng Choi-Dat in full, it really sounded like "not talented".

Children often could not and would not write more complicated characters. A little girl in my class had problems with learning characters. So I taught her the easiest characters: "一(one)", "二(two)" and "三(three)", and explained that the character with one stroke was "one", with two strokes was "two", and with three strokes, "three". She seemed able to recognise them. But then I found no matter which character I first pointed to, she would say one, then say two, then three. All she learned was to say one two three in succession. It was a hot day, and the little girl carried her baby brother on her back with a sling. The baby was so hot that his face was red. Seeing sister and brother were uncomfortable, I said why not untie the baby from the sling and I would look after him so that she could work on writing the characters. When I took the baby from her, I found the baby very soft as if boneless, and didn't know the proper way to hold him. The baby cried a little and I was at a loss of what to do, so I placed him on a desk and looked at him, and the baby cried aloud. His sister came over, hold and hug the baby skilfully, and the baby stopped crying. It's obvious their mother though gave birth, it was the little girl's job to mother the baby, and that's why she had to carry the baby on her back with a sling when she came to Sunday school. She was about seven and already had no childhood, and with no room for learning.


In addition to playing the piano for hymn singing and teaching the children, I joined the school's mission troop to visit the wooden-hut area to persuade parents to let their children to come to the Sunday school. I did no preaching but observed. The living conditions there were terrible. Crowded shacks were built on the slope, disorderly. There were no roads, just a rock here and there, possibly for stepping on to avoid mud especially in rain. Though called wooden-hut in Cantonese, they were in fact built with all kinds of rubbishy materials, very small and didn't necessarily look like a house but more like a shabby shelter or small hiding place. They did not seem to have water, electricity or a toilet inside. There was some sort of stand pipe outside for sharing. It was overcrowded and dirty. Parents though poor, had many children. From the age of their children, mothers appeared to give birth frequently. Parents were irritable towards their children, some seemed to beat them to vent their frustration. I saw a ferocious mother, while cursing a little girl, pick up a stick and hit the little girl in the face in a way that might disfigure the child's features. I felt so angry at this cruel mother. In fact, parents sent their children to Sunday school because they were after the donation of food and clothing brought back by the children weekly. Understandably, the children who came to the Sunday school were often dirty and smelly, difficult to teach, and often behaved badly. Whenever there was a typhoon, or when I heard of heavy rains causing landslides, I worried about the children's safety. There is no longer a wooden-hut area opposite True Light, and I wonder what happened to these children. Will they be able to make a good life despite growing up in such harsh environment?


The disappearance of the wooden-hut area may be due to the construction of many resettlement areas by the government, but I have been away from Hong Kong for too long to be sure. The Hong Kong I remember was not perfect, but the people at that time said whatever they like, expressing their opinions freely with no worries that someone might report them behind their back to cause them harm. I think attempting to control and change by force an adult who already has his own personality, belief and way of life, imposes a feeling of oppression that might be more claustrophobic and unbearable than living in a wooden-hut area. I worry that it might lead to people being impoverished intellectually.

The Mid-Autumn (Moon) Festival 中秋節

The Mid-Autumn Moon Festival in the UK is rather serene  英國寧靜的中秋節


Tomorrow is the Mid-Autumn (Moon) Festival. The festival is rather serene in the UK. When I was a child in Hong Kong, the Mid-Autumn Festival was vibrant and a good memory. Children carried lanterns in various forms, especially in the form of a white rabbit. Some shops set up a small stage outside their shop with puppets in period costumes, repeatedly performing mechanical movements to pre-recorded percussive sound of "dong-dong-qiang-qiang". I ate raw water caltrops and water chestnuts (I don’t like cooked ones). There were chess cakes, piglet cakes inside pig cages... People prepared many more dishes for dinner, and admired the moon at its roundest and brightest. Of course, there were all kinds of mooncakes being sold everywhere. Some of which I loved, such as brown lotus seed paste with olive kernels and sweet black bean paste. I haven't eaten all these for a long time. I disliked the sweet and salty nuts and ham mooncakes, which are not sold in the UK. Hong Kong mooncakes continue to have novel inventions which are very different from traditional mooncakes. In comparison, mooncakes in the UK have few varieties. However, I eat many of these regardless that they are not good for my health. Due to Covid, the Mid-Autumn Festival in Britain this year is likely to be even less eventful – it has been raining for hours while I am writing this. Hong Kong has been eventful for some time and one does not know what will happen tomorrow. It’s no longer like the Mid Autumns in the past – at that time everyone could speak and write freely. When I was a school child in Hong Kong, a teacher told us that during the Yuan Dynasty, when people were strictly controlled by the authority, and forbidden to do/say this or that, the suppressed people hid paper strips in the mooncakes, with messages that could not be shared publicly.

Magic Banyan Tree《神奇老榕樹》

Click video icon on left 請點擊左方的視頻圖標

Images in the video reflect what I remember of the old world charm of the New Territories, which was very different from the city life of Hong Kong island and the Kowloon peninsular and has almost vanished by now.

Easy listening music inspired by what I heard as a child. Performed by Hong Kong soprano Nancy Yuen, instrumental ensemble and child singers.  


Buddha Song《佛曲》

video & webpage 視頻和網頁  


Video: Music inspired by monks and nuns chanting and a song about Buddha that I heard when I was a child in Hong Kong. Images modified from photos by Kitty Kwan, a schoolmate of Hong Kong True Light.  

Webpage: Though the only religion I know is Christianity, the webpage is about what I noticed of the interesting Buddhist influence on Hong Kong life, with many interesting stories and beautiful Buddha photos by Juliet Chenery-Robson, and Chee-Hang Leung and Choy May-Chu that I acquainted when I was at Hong Kong True Light Mr Leung a member of staff and May-Chu, a schoolmate.

視頻:音樂靈感來自童年在香港聽到的僧尼誦經和一首佛歌。 形象修改自香港真光同學關伯瑋影的相。


New Webpage 14 Feb Updated 10 Apr   4月10日更新了這2月14日的新網頁


See Related Videos and Webpages 看相關視頻和網頁

Professor Stephen Matthews, my old friend Benson Wong, and world wildlife photographer Graham Ekins have enlightened me that there is a variety of birds in Hong Kong if you go to the right places. In the Photo Galleries and mini videos are some captured by their cameras... with some interesting recollections.